š¦ Owl & the Albatross
Producer ā 2022 | Theatre Works
This story is about growing up queer in a world which isnāt good enoughā¦ & how we make it better.
Written for early secondary students by Paris Balla, and presented at Theatre Works as part oft he VCE Playlist. Owl & the Albatross is a love letter from queer young adults who missed out on seeing their stories growing upāstories with queer kids who donāt like being told who they are and what their name is and now they have something to say.
Owl & the Albatross began in a cramped bedroom in Melbourneās southeast suburbs in 2019. The script went through twenty versions and we built over ten different albatross puppets over the years. We hope this story makes you feel less alone, and that our future might be just a little brighter.
About the Show
Writer's Note
Dear 15 year old Paris,
You donāt know me yet, but Iām you āØfrom the futureāØ. Soā¦ I wrote a play for you? But I donāt think youād really care that much about it tbh. Youāre into boys, and vintage makeup looks and playing your ukulele around school because youāre ānot like other girlsā. You havenāt heard of the term non binary yet and youāre the token straight girl in a lot of your friendships. Youāre absolutely terrified about the future because you donāt know whether you want to do physics or theatre and also because it seems like the world is collapsing around you and the adults in charge arenāt doing anything about it. Youāre really not much like Owl at all, other than sometimes talking back to teachers and the existential dread, but still this play is for you. Itās to show you whatās possible, to remind you that there are incredible incredible people around you who love you and support you and your dreams.
Oh man I canāt believe you havenāt met Sarah Branton yet, or any of our cast or crew who are just so amazing! Dude youāve written a play!!! And itās on a stage!! And you made something like 11 different bird puppets, and 19 drafts, and were part of constructing a set and designing costumes and directing! Thatās so many hats! Owl is going to remind us both to take a rest sometimes, to lean on the people around us a bit more and to spend more time looking at the ocean and birds and just breathing it all in because itās actually okay to stop sometimes and everything might fall apart around us, but at least there will be people to help us rebuild it.
So yes, this play is for you, and itās for all the other silly anxious kids like you who grow up to be silly anxious queer adults and for all the other silly queer adults who didnāt get to have stories about silly queer kids like them.
I canāt wait for you to see it.
Lots of love,
Paris from the future.
P.s. the future is pretty cool
-Paris Balla
Director's Note
Queerness is a question.
Hear me out on this.
Queerness is magical. Not a new concept I know, but itās true. To be queer is truly to be an oddball, to look out at the world and go āhuhā¦ so thatās how weāre supposed to do it?ā and then doing something completely different. To be queer is to be alive, to feel grief in the pit of your stomach after a phone call, to smell the scent of your favourite person, to stare as a bee gently nestles into the heart of a flower. That shit is magical to me. The mundane, the human, the most boring moment of your life right before the next moment that absolutely blasts your heart open. That is queerness in my world. That is magic.
Queerness is a question.
This show was made for young queer hearts, for curious minds, for older generations who really do want to understand but donāt have the language to ask yet, and for anyone who holds the world in their gentle hands. Owlās journey within the play is really a question, perhaps the question that we all ask in our lifetimes.
Who am I?
That question in and of itself presents a lifetime of magic, and this play presents a contemplation on taking that question out into the world. Who am I with you? Who am I looking out into the ocean? Who am I when thereās a giant albatross flying over my head?
These directorās notes are becoming very existential, but I feel that is correct.
Queerness is a question.
A question of existence. Of everything that has ever been and ever will be. The play does not exist without me, without you, without the magic within all of us.
Without every person that has touched the work and touched those who have lived within it.
Without the queer ability to look into our own existence and wonder what happens next?
So.
What is your question?
-Sarah Branton
Crew
Paris Balla Writer & Director
Caitlin Begg Technical Operator
Sarah Branton Director & Dramaturg
Callum Cheah Sound Design
Tara Daniel Educational Notes
Ryan Hamilton Producer
Jemma Law Stage Management
Jason Lehane Puppet Fabrication
Tiernan Maclaren Set Construction
Kyra Ryan Lighting Design
Cast
Oliver Ayres plays Jack
Don Bridges plays Albert
Cassandra Hart plays Jane
Mikaela Innes plays Puppeteer
Geo Valentine plays Owl